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The two singles shared so far by the group Ashnymph resist simple labeling: their personal label of the sound as “subconscioussion” doesn’t offer many clues. Debut Saltspreader combined a heavy mechanical drumming – bandmember Will Wiffen has occasionally been spotted on stage sporting a shirt that bears the logo of Godflesh, icons of industrial metal – with old-school electronic keys and a guitar riff that subtly echoes the classic Stooges track I Wanna Be Your Dog, before transforming into a barrier of unsettling sound. Its intended effect, the group has mentioned, was to conjure highway journeys, “the endless movement of vehicles 24-hours a day over vast spans … orange lights at night”.

Its follow-up, Mr Invisible, occupies a space between nightclub tunes and left-field alt-rock. On one hand, the track’s rhythm, multiple entrancing electronic parts, and lyrics that appear either psychedelically smeared or mesmerizingly repeated in a way that recalls Dubnobasswithmyheadman-era Underworld all point towards the dance space. On the other, its intense performance-style shifts, brink-of-disorder feel and fuzz – “making everything sound crunchy is a personal mission,” Wiffen has said – distinguish it as very much the work of a band rather than a solitary home producer. They've performed around the self-made music community of south London for a short time, “any venue that cranks the volume”.

But each is thrilling and unique – mutually and contemporary releases – to make you wonder about the band's future direction. Whatever it is, on the evidence of Saltspreader and Mr Invisible, it’s probably not dull.

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